William Richard Reid, born in 1930, has dedicated himself to producing thousands of works of art throughout his 93 years. Despite not following the traditional path of an exhibiting artist, his commitment to creating speaks volumes about his passion for his craft. Richard's art became intertwined with his caregiving responsibilities after his wife's passing and the onset of the global pandemic. In this challenging period, his paintings and writings served as a means of documenting and exploring grief and memory. Through his art, Richard offers a glimpse into his inner world and exemplifies the healing power of artistic expression. His artistic legacy showcases the enduring impact of art for self-expression, introspection, and personal understanding.

This exhibition is focused on the incredible work done by two of the leading artist collectives from Oaxaca, Mexico comprised of young art students and street artists. They employ multiple mediums including wood and linoleum block prints, large-scale graffiti murals, interventionist stencils, and wheat pastes.

We are thrilled to be able to host Mia Harris in the Penticton Art Gallery over the month of February as our Artist in Residency as she continues to develop the Vocal Improvisation and Motion-activated Electroacoustic Sound Interaction (VIMES Interaction) Project.

Weaving Cultural Identities explores multicultural identity and intercultural relations through traditional weaving as a storytelling medium. Graphic artists and weavers from Vancouver’s immigrant Muslim communities and Coast Salish Indigenous communities including Musqueam, Squamish, Tsleil-Waututh, and Tl'azt'en were brought together in collaboration to create a series of 10 small-scale “prayer rugs” inspired by Islamic prayer rugs and ceremonial Indigenous weavings.

If you have ever lived or spent any time in the lower mainland over the past 60 years, you have most likely been impacted in some regard by Dale's commercial work. More recently if you have attended any group exhibitions here in the Okanagan over the years, you have most certainly communed with his paintings.

Featuring artists ranging from up-and-coming to established, Living While Marginalized focuses on unpacking and highlighting the daily marginalization and discrimination LGBTQ2S+ and BIPOC Communities face.

Each year the Gallery puts a call out to artists of all kinds to submit three artworks, all priced under $500. This exhibition receives interest from artisans, crafters, and visual artists working in all media from across British Columbia.

To Talk With Others responds to the minutes of a meeting in August of 1977 between Prime Minister Pierre Elliot Trudeau and five Yukon First Nations leaders regarding the then-approved Mackenzie Pipeline.